By Anthony Toney
Full-page reproductions of drawings from the early fifteenth century to the top of the 18th century, all superbly reproduced: Rembrandt, Michelangelo, Dürer, Fragonard, Urs Graf, Wouwerman, many others. pleasant searching ebook, version booklet for artists.
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Additional resources for 150 Masterpieces of Drawing
I also used a Gaussian Blur effect on the highlights that are on the foreground character – but very slightly. When I first drew the highlights they looked too sharp compared to the rest of the character’s style. That’s the one element that connects the background with the foreground, because you can see yellow in the sky, the water and the character. The designs on the character’s sleeves are just doodles set to Screen at a very low opacity. I always think that very subtle, intricate details add a lot to an image.
I then realised that my images looked like something anybody could have created through a simple click of a button. As I became more familiar with the program, I started using the filters in a different way – not using them as the main focus of my image, but rather as a tool to enhance the illustrations. I found that the best approach is to mix certain filters along with layer styles in order to get the most out of the effect I am trying to create. Vintage martial arts movie posters inspired this illustration.
29 Most Photoshoppers eschew the Dodge and Burn tools as unprofessional but there are uses for them, as long as you’ve got a light hand and a gentle touch. They’re particularly useful in photomanipulations for adding final details to the hair, eyebrows and eyelashes, but should be avoided on skin. Intensifying the background Atmosphere is very important for photomanipulation and painting. In this image the background must be fairly dark, so to intensify it I first flatten all layers and then copy the layer.