Download American Popular Music and Its Business: The First Four by Russell Sanjeck PDF

By Russell Sanjeck

This quantity makes a speciality of advancements within the song company within the 20th century, together with vaudeville, song bins, the connection of Hollywood to the track enterprise, the "fall and upward thrust" of the list enterprise within the Nineteen Thirties, new know-how (TV, FM, and the LP list) after international struggle II, the dominance of rock-and-roll and the large elevate within the tune company through the Nineteen Fifties and Sixties, and eventually the altering song company scene from 1967 to the current, specifically relating to govt laws, track licensing, and the list enterprise.

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Extra info for American Popular Music and Its Business: The First Four Hundred Years Volume III: From 1900 to 1984 (American Popular Music & Its Business)

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As a result, Fred Fisher, a plugger for Leo Feist, and Ernest Ball, who was on the Witmark payroll, and others lost all rights to some of the best-selling pre-1930 hit songs. Until the phonograph recordings, radio, and the talking picture supplanted them, live performers were crucial to the process of making the public familiar with new songs. Vaudeville provided the music trade for many years with its chief means of exploitation, through forty-week engagements of headliner music stars across the nation, who constantly performed songs they had been paid to feature.

With an ambitious, but inferior grand-opera catalogue, the Columbia Phonograph Company was a poor second to Victor. And Thomas Edison retired from that highfalutin business in 1911, when he abandoned his Amberol opera line, after making 115 cylinders. His best customers were, and remained, those who preferred ragtime, coon songs, Sousa, Herbert, monologues, and sentimental ballads, on which the Edison output was based until its demise in 1929. " Public demand from all classes became so great that F.

They ranged from five dollars to fifteen dollars monthly, depending on the type of music used, the size of the establishment, and its gross receipts. A few hotels and cabarets signed contracts, but others took to adapting old melodies for the new trot and rag dances. The more militant hotel and restaurant owners prodded the president of the American Federation of Labor's strongest affiliate, the musicians' union, to tell his members not to play any music bearing the imprint of an ASCAP-affiliated publishe 1900-1920 39 Mass resignations from ASCAP followed, and Variety's pages began to fill with advertisements of "tax free" music, which could be played without fear of legal action by the society.

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