By Gabriela Goldstein
A revolution is brewing in psychoanalysis: after a century of fight to outline psychoanalysis as a technology, the concept that of psychoanalysis as an artwork is discovering expression in an unconventional go back to Freud that reformulates the connection among paintings and psychoanalysis and during this approach, discovers and explores uncharted routes via artwork to re-think difficulties in modern medical paintings. This publication explores contemporary contributions to the prestige of psychoanalytic idea in terms of paintings and creativity and the results of those investigations for today´s analytic perform. The name, Art in Psychoanalysis, displays its double point of view: paintings and its contributions to idea and medical perform at the one hand, and the reaction from psychoanalysis and its “interpretation” of artwork. those essays disclose the “aesthetic worth of analytic paintings whilst it may create whatever new within the relation with the patient”.
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Additional resources for Art in Psychoanalysis: A Contemporary Approach to Creativity and Analytic Practice
Imbedded in this idea of the primacy of form is the notion that the purpose of the visual arts, their telos, is to arouse (to cause) in us the aesthetic experience of the beauty of form. Thus, we can see that the metaphor of causation from the classical theory was revived in the field of aesthetics. The formal and teleological causes dominate over the material cause (the materials out of which the artistic object is created) and the efficient cause (the work of creation by the artist). In aesthetics, representation becomes the descriptive subject matter of the visual arts, while the form is embodied in the arrangements of colours, shapes, perspectives, and their relationships that organise that representation, whether of objects, scenes, or actions (as well as the abandonment of these types of elements in abstract art).
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