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By E. H. Gombrich

Tres enfoques distintos confluyen en este libro: historia y psicología del arte (Sir Ernst Gombrich), psicología (Julian Hochberg) y filosofía (Max Black). Estos tres distinguidos autores examinan en los tres ensayos recogidos en este volumen el problema de las percepciones de las imágenes y, en specific, de los angeles pintura y l. a. fotografía. Tal confrontación de principles es ciertamente inédita en l. a. bibliografía en lengua castellana sobre l. a. imagen. Fundándose en experiencias sustancialmente diferentes, los tres ensayos solicitan l. a. reflexión y los angeles profundización de temas ya de por sí sugerentes: el tiempo, l. a. verosimilitud, l. a. escena espacial y otros conceptos, como los de empatía, capacidad de información de los angeles imagen y niveles de atención. De un modo specific, el intercambio de opiniones entre Gombrich y Hochberg abre un debate rico en consecuencias de permanente interés entre especialistas. Al mismo tiempo, las constantes referencias al plano cognitivo de l. a. imagen abren nuevas posibilidades para los angeles investigación de los angeles imagen a partir de los angeles pragmática moderna.

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