By The Disney Institute, Theodore Kinni
Exceeding expectancies instead of easily pleasurable them is the cornerstone of the Disney method of customer support. Be Our visitor makes a speciality of aiding pros see new percentages via innovations no longer present in the common place of work, revealing much more of the company at the back of the magic of caliber provider.
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Additional resources for Be Our Guest (Revised and Updated Edition): Perfecting the Art of Customer Service
Contour lines define the basic shapes of clouds, human and animal limbs, and weapons. Within the forms, series of short broken lines create shadows and textures. An overall pattern of long parallel strokes suggests the dark sky on the frightening day when the world is about to end. Color Light reveals all colors. Light in the world of the painter and other artists differs from natural light. Natural light, or sunlight, is whole or additive light. As the sum of all the wavelengths composing the visible spectrum, it may be disassembled or fragmented into the individual colors of the spectral band.
Hephaistos❙(Vulcan) God of fire and of metalworking, Hephaistos was the son of Zeus and Hera. Born lame and, uncharacteristically for a god, ugly, he married Aphrodite, who was unfaithful to him. ❙ Apollo❙ (Apollo) God of light and music and son of Zeus, the young, beautiful Apollo was an expert archer, sometimes identified with the sun (Helios/Sol). BefORe 1300 religion and mythology ❙ Artemis❙ (Diana) Sister of Apollo, Artemis was goddess of the hunt. She was occasionally equated with the moon (Selene/Luna).
Mass can apply to a solid Egyptian pyramid or stone statue, to a church, synagogue, or mosque—architectural shells enclosing sometimes vast spaces— and to a hollow metal statue or baked clay pot. Volume is the space that mass organizes, divides, or encloses. It may be a building’s interior spaces, the intervals between a structure’s masses, or the amount of space occupied by three-dimensional objects such as a statue, pot, or chair. Volume and mass describe both the exterior and interior forms of a work of art—the forms of the matter of which it is composed and the spaces immediately around the work and interacting with it.